Exploring the Series 'Plevako': A Journey into Russian Law

The release of the Russian series "Plevako" in 2024 marked a significant milestone for aficionados of historical dramas. This intriguing narrative, directed by Anna Matison, transports viewers back to the pre-revolutionary Russia, where turbulent social changes craft the complex destinies of its characters. The lead role, portrayed by the talented Sergey Bezrukov, has stirred varied reactions among viewers. So, let’s embark on an exploration of this 10-episode project in depth.

Narrative and Historical Underpinnings

At the core of the series lies the remarkable figure of an esteemed lawyer, Fyodor Plevako, reimagined by the writers as Nikolai Fyodorovich. This alteration is rooted in the Kalmyk heritage of the historical figure, whose surname at birth was Nikolaev. This creative decision offers the creators a chance to delve into the fascinating interplay of cultures that was so emblematic of the Russian Empire. The series opens with a vivid portrayal of the protagonist’s legal career, where each case unfolds as a theatrical spectacle, echoing the judicial practices of that bygone era.

One of the pivotal examples illustrated is the notorious case of an elderly woman accused of stealing a teapot, where Plevako's legal acumen elevates an ordinary trial into a legendary saga. Renowned for his skillful manipulation of the jurors' sentiments, he sometimes employed even the ringing of church bells to sway their emotions. This artistic interpretation captivates audiences and underscores the dramatic essence of the time.

Acting Performance and Directorial Ingenuity

Despite an age discrepancy between Sergey Bezrukov and the character he portrays, Bezrukov breathes life into the beloved lawyer with a smooth grace, eloquent rhetoric, and an air of arrogance that has become his signature. Nevertheless, some viewers find this portrayal excessively affected, especially during scenes where the character partially undresses, leading to a bit of bewilderment.

Director Anna Matison, who happens to be the actor's wife, meticulously attends to the details, striving to encapsulate the ambiance of the era. Opulent estates like Kuzkovo and Tsaritsyno serve as splendid backdrops that enhance the series' artistic value, though some settings appear a tad theatrical.

Supporting Characters: Strengths and Weaknesses

Among the cast, Igor Gordien shines as Konstantin Pobedonostsev, a powerful state figure, while Vitaly Kovalenko captures the essence of the patron Savva Mamontov. Their characters are intricately crafted, allowing viewers to immerse themselves in the historical landscape seamlessly.

The role of Plevako’s first wife is portrayed by Zoya Berber, whose interpretation many viewers deem unconvincing. Her character comes across as rather malleable, lacking the depth that aligns with the series' rich atmosphere.

Notable historical personas make appearances as well, such as the writer Dostoevsky, the painter Vereshchagin, and the opera singer Sobinov. Their portrayals help evoke the spirit of the era, reminding the audience of the moral dilemmas lawyers often faced between integrity and professional ambition.

Themes and Artistic Characteristics

The primary theme of "Plevako" is the quest for justice amidst a backdrop of social and legal inequities. The protagonist seeks to maintain a delicate equilibrium between personal honor and professional achievements. However, the creators tend to romanticize his character, almost elevating Plevako to the status of a superhero in the eyes of the viewers.

The series is characterized by a leisurely narrative pace, which may not resonate well with every viewer. Nevertheless, this deliberate pacing is balanced by intricate details—the sumptuous attire, antique interior elements, and scenes illuminated by kerosene lamps and samovars—all of which create an ambiance drenched in nostalgia for a bygone era.

Wardrobe and Locations

The costume design deserves high praise, as the historical outfits faithfully convey the spirit of the pre-revolutionary era, aiding the viewers in fully immersing themselves in the storyline. The mansions and palaces featured in the filming, including Kuzkovo and Troitsk in the Orenburg region, lend authenticity to the visuals, though occasionally, the decor may appear somewhat superficial or "cardboard-like."

Ending: A Series for True Era Aficionados

"Plevako" transcends being merely a historical drama; it is a thoughtful attempt to grapple with the intricate past of the Russian Empire through the lens of one individual's journey. Despite its leisurely pace and certain questionable directorial choices, the series merits attention due to its ambiance, rich detail, and the perspective it provides into the world of law during an epoch of transformation.

This series comes highly recommended for anyone who cherishes historical dramas, has an interest in pre-revolutionary Russia, and wishes to delve into the mystique of early 20th-century jurisprudence.